RBB and WDR are jointly responsible for ARD's television studio in Berlin.
RBB also plays out ARD's digital channels from a center in Potsdam. RBB also operates ARD's studio in Warsaw the responsibility changes every five years between RBB and WDR (Westdeutscher Rundfunk). Ostdeutscher Rundfunk Brandenburg (ORB), based in Potsdam, and is a member of the Association of PSBs in the Federal Republic of Germany ( ARD).Īside from its two main studios in Berlin and Potsdam, RBB also has regional studios in Cottbus and Frankfurt (Oder), and regional offices in Perleberg and Prenzlau. RBB was established on through the merger of Sender Freies Berlin (SFB) and The exhibition was produced together with Kunstforum Vienna.Rundfunk Berlin-Brandenburg ( German: ( listen) "Berlin-Brandenburg Broadcasting" abbreviated: RBB ( listen), stylized as rbb) is an institution under public law (national broadcaster) for the German states of Berlin and Brandenburg, based in Berlin and Potsdam. The retrospective is being produced in close cooperation with the artist’s family and with the Kunstmuseum Bern, home of the Meret Oppenheim Archive, which owns in the artist's legacy the most important collection of Meret Oppenheim's works.
Shortly before her death, she became a member of the Berlin Academy of the Arts. In the same year, she participated in documenta 7. In 1982, Meret Oppenheim was honoured with the Art Prize of the City of Berlin. You never know where the ideas come from: they bring their form with them just as Athena sprang out of the head of Zeus, helmeted and armoured, thus do the ideas emerge with their apparel.” Starting out from her much appraised early work in the circle of the surrealists and proceeding to her less well-known poetic late work, the exhibition will show not only drawings, paintings, objects and collages, but also her writings and dream notations as well as her humorous and fantastical jewellery, dress and other designs. Following Oppenheim's artistic method, who kept returning to specific motifs over long periods of time and subjected them to new treatment, the show runs a course through the ever-densifying themes in a cross-section of the artist's creative periods: magic objects, dream scenes and myths, depictions of the invisible, cadavre-exquis and play as an artistic method, the search for identity, metamorphoses between the sexes, between human being and animal, nature and civilization. The exhibition will show the whole spectrum of Meret Oppenheim’s oeuvre, which in its independence and diversity is still a pioneering force even today. Her emancipatory, non-conformist attitude and her critical approach to social stereotyping and allotted gender roles made her a central identification figure for following generations of women artists. “Freedom isn’t given to you – you have to take it”, Oppenheim summed up her position in 1975. Language, myths, games and dreams served her purpose as impetus just as literary sources and the psychoanalysis of C.G. The artist dispensed with uniformity or recognisability in favour of experimental joyfulness which enabled her to transcend the confines of an artistic style, a genre or a linear development. The reception of Meret Oppenheim’s extremely diverse oeuvre, influenced by experimentation and upheavals, metamorphoses and the “dream-like”, has not always been easy.
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